SABATO 10 DICEMBRE 1994 - ORE 21

SALA A - PALAZZO DEI CONGRESSI

MOZART AND SALIERI. DON JUAN. PLAGUE

DI ALEXANDER PUSHKIN

 

Regia

EIMUNTAS NEKROSIUS

 

Parte I     MOZART AND SALIERI

ALGIRDAS LATÈNAS (Mozart) -VLADAS BAGDONAS (Salieri)

 

Parte II   DON JUAN. PLAGLE

ALGIRDAS LATÈNAS (Don Juan) -DALIA MICHELEVICHIUTE (Girl)

RIMANTÉ VALIUKAITÈ (Dona Anna) - ADRIUS BIALOBZHESKIS (Leporello)

VIKTORJA KÜODYTÈ (Laura) -TAURAS CHIZHAS (Don. Carlos) -POVILAS BÜDRYS (Monk)

 

                 Musiche                                                                                           Scenografia

      FAUSTAS LATENAS                                                                      ADOMAS JACOVSKIS

                 Costumi                                                                                       Luci e aiuto regia

NADEZHDA GULTYAEVA                                                                     ROMAS TREINYS

 

 

 


Mozart and Salieri

The first who dramatically confronted Salieri and Mozart was Pushin in 1830 his "Mozart i Salieri". Antonio Salieri has reached glory, conquered at a cost of much sacrifice when suddenly a young genius from Salsburg appears.
It is Wolfgang Amadeus Mozart who compose wonderful music, effortlessly.
Salieri is so envious that he decides to eliminate him, and so he invites him to lunch. At the inn, Mozart tells Salieri he had been visited by a strange, unknown man whom had commissioned a "Requiem ", and after having drunk from the poisoned cup given by Salieri, he plays a passage from the Requiem, for him.

Don Juan

Don Juan, with his servant Leporello, comes back from exile where he had been for having killed the 'Commendatore' in Madrid because he wants to conquer the young actress Laura, at all costs.
But at the cemetery he meets Donna Anna praying and crying, upon her husband, the 'Commendatore's tomb.
Don Juan manages to arrange an appointment with her at her house but he ironically asks the statue of the 'Commendatore' to stand guard outside the gates while he is with the lady.
Of course just when Anna is going to give way to Don Juan enticements the statue appears, frightening his wife, who faints.
Don Juan accepts the challenge of the 'Commendatore' which is to prove to be his death.

A Party During the Plague

This is a rearrangement of John Wilson's poem The City of Plague 1816, the dominant theme of which is death It can be considered the last of the little tragedies' as Pushin himself defined them.
Attention is focused on two arias; Mary's which describes the devastation wrecked by the plague in her village, and the President's aria, who holds the party which launches a hymn in honour of the plague.

Back to  Shows and Co - productions